Hazing the Muse by Rya Kleinpeter and Benjy Russell
These images are a preview from a collaborative body of work by Rya Kleinpeter and Benjy Russell.Hazing the Muse is a series of heteronormative mind games in which Kleinpeter and Russell role play using the self as subject and the self
Hazing the Muse by Rya Kleinpeter and Benjy Russell
These images are a preview from a collaborative body of work by Rya Kleinpeter and Benjy Russell.Hazing the Muse is a series of heteronormative mind games in which Kleinpeter and Russell role play using the self as subject and the self
Coming to America by Martin Eiermann
“It’s not just us keeping them apart. It’s everyone in Beszel and everyone in Ul Qoma. Every minute, every day. We’re only the last ditch: it’s everyone in the cities who does most of the work. It works because you
Coming to America by Martin Eiermann
“It’s not just us keeping them apart. It’s everyone in Beszel and everyone in Ul Qoma. Every minute, every day. We’re only the last ditch: it’s everyone in the cities who does most of the work. It works because you
Eileen Myles and JD Samson in Conversation
[Transcript edited for clarity, MW] Martabel Wasserman: I was very excited and anxious preparing for this conversation so I decided to email one of my teachers from college, Helen Molesworth, who introduced me to Eileen’s work, to ask for question
Eileen Myles and JD Samson in Conversation
[Transcript edited for clarity, MW] Martabel Wasserman: I was very excited and anxious preparing for this conversation so I decided to email one of my teachers from college, Helen Molesworth, who introduced me to Eileen’s work, to ask for question
(Re)writing the Road, a leditor by Martabel Wasserman
I’m the robotic kid lost from the blind eye of the government and wandering the edges of a computerized landscape, all civilization is turning like one huge gear in my head. -David Wonjarowicz, In the Shadow of the American Dream/
(Re)writing the Road, a leditor by Martabel Wasserman
I’m the robotic kid lost from the blind eye of the government and wandering the edges of a computerized landscape, all civilization is turning like one huge gear in my head. -David Wonjarowicz, In the Shadow of the American Dream/
On Roads and On Roadmaps by Flora Kao
Flora Kao, Lines of Desire, 2008 Acrylic on vellum 7.5 x 10.5 feet [Detail] Referencing the blueprint as a locus of dreams, Lines of Desire is made of hundreds of overlays of the LA street-grid on vellum. Upon approach, its delicate atmospherics
On Roads and On Roadmaps by Flora Kao
Flora Kao, Lines of Desire, 2008 Acrylic on vellum 7.5 x 10.5 feet [Detail] Referencing the blueprint as a locus of dreams, Lines of Desire is made of hundreds of overlays of the LA street-grid on vellum. Upon approach, its delicate atmospherics
we are all pussy riot, posters by rebecca lieberman
pussy-riot-1.jpg pussy-riot-2.jpg pussy-riot-3.jpg pussy-riot-4.jpg
we are all pussy riot, posters by rebecca lieberman
pussy-riot-1.jpg pussy-riot-2.jpg pussy-riot-3.jpg pussy-riot-4.jpg
Office Hours with Jack Halberstam
Martabel: How would you describe your practice? Jack: Practice is a tricky word. My practice is associated with public intellectual labor, with being out in the world, and taking some of the work I do in the context of the
Office Hours with Jack Halberstam
Martabel: How would you describe your practice? Jack: Practice is a tricky word. My practice is associated with public intellectual labor, with being out in the world, and taking some of the work I do in the context of the
Make Pretend Poster by Eric Adolfsen
MakePretendNo1.jpg
Make Pretend Poster by Eric Adolfsen
MakePretendNo1.jpg
Christmas on Mars by Carlton DeWoody
Throughout time threats to our environment shaky economies existential crisis and self medication with the rise of fear and the fall of tolerance obesity of ignorance and anorexia of heart there is a light that sparkles inside our bone star
Christmas on Mars by Carlton DeWoody
Throughout time threats to our environment shaky economies existential crisis and self medication with the rise of fear and the fall of tolerance obesity of ignorance and anorexia of heart there is a light that sparkles inside our bone star
Untitled, 2010 by K. Garcia
Here is my attempt to (visually) create (an)other orifices, which is not mouth, is not vagina, or anus, it is other. Images were torn from magazines, placed in a vitrine deconstructed and then recomposed, parts of
Untitled, 2010 by K. Garcia
Here is my attempt to (visually) create (an)other orifices, which is not mouth, is not vagina, or anus, it is other. Images were torn from magazines, placed in a vitrine deconstructed and then recomposed, parts of
Guru Carla Poster by Andrew Berardini and K. Garcia
Andrew Berardini words, K. Garcia illustration carla download
Guru Carla Poster by Andrew Berardini and K. Garcia
Andrew Berardini words, K. Garcia illustration carla download
Undocubus Riders Confront Democrats and the Poli-Migra by Gabriela Alcazar
On July 29th, 2012, the Undocubus took off from Phoenix, Arizona with a brave group of undocumented immigrants and allies of all ages. The No Papers, No Fear: Ride For Justice is headed east to the Democratic National Convention taking
Undocubus Riders Confront Democrats and the Poli-Migra by Gabriela Alcazar
On July 29th, 2012, the Undocubus took off from Phoenix, Arizona with a brave group of undocumented immigrants and allies of all ages. The No Papers, No Fear: Ride For Justice is headed east to the Democratic National Convention taking
Recapping Time by Martabel Wasserman
“Feeling the press of the complexity upon the emptiness of life, people are fearful at the thought that at any moment things might thrust out of control.”- The Port Huron Statement, 1962 This lens is ready-made nostalgia; it was as
Recapping Time by Martabel Wasserman
“Feeling the press of the complexity upon the emptiness of life, people are fearful at the thought that at any moment things might thrust out of control.”- The Port Huron Statement, 1962 This lens is ready-made nostalgia; it was as
How Can an Artist Be? by Cora Currier
In the 1860s, the British writer G.H. Lewes trumpeted the professionalization of literature. “To write for a livelihood,” he remarked, “even on a complete misapprehension of our powers, is at least a respectable impulse. To play at literature
How Can an Artist Be? by Cora Currier
In the 1860s, the British writer G.H. Lewes trumpeted the professionalization of literature. “To write for a livelihood,” he remarked, “even on a complete misapprehension of our powers, is at least a respectable impulse. To play at literature
(Re) United in Anger, an interview with Jim Hubbard
I was lucky enough to interview Jim Hubbard before the LA premiere of his documentary United in Anger at Outfest . The film is a history of ACT UP New York that draws on archival footage and the 130+ interviews and counting
(Re) United in Anger, an interview with Jim Hubbard
I was lucky enough to interview Jim Hubbard before the LA premiere of his documentary United in Anger at Outfest . The film is a history of ACT UP New York that draws on archival footage and the 130+ interviews and counting
ACT UP at 25: Past and Present Posters
act up vote.jpg from the Silence = Death Project, 1988 act up at 25.jpg ACT UP and Occupy.jpeg collective action.jpg Art is Not Enough, Gran Fury, 1988 Dec-Jan calendar for The Kitchen ACTUP Robin Hood.jpeg
ACT UP at 25: Past and Present Posters
act up vote.jpg from the Silence = Death Project, 1988 act up at 25.jpg ACT UP and Occupy.jpeg collective action.jpg Art is Not Enough, Gran Fury, 1988 Dec-Jan calendar for The Kitchen ACTUP Robin Hood.jpeg
Two Billboards by Nadia Gaber
This is a simple reflection on two billboards: one, the last I saw upon leaving the cacophonous streets of Cairo; the other, the first I saw upon arriving back in placid, progressive San Francisco. In an early-morning taxi to
Two Billboards by Nadia Gaber
This is a simple reflection on two billboards: one, the last I saw upon leaving the cacophonous streets of Cairo; the other, the first I saw upon arriving back in placid, progressive San Francisco. In an early-morning taxi to
You Make Me Feel (Mighty Real) by Theo Adams
You Make Me Feel (Mighty Real) – Theo Adams Mix REAL – A sound collage by Theo Adams (Director of The Theo Adams Company) – 2008. Premiered at Assab-One, Milan in conjunction with Gea Politi and the Conduits Gallery on
You Make Me Feel (Mighty Real) by Theo Adams
You Make Me Feel (Mighty Real) – Theo Adams Mix REAL – A sound collage by Theo Adams (Director of The Theo Adams Company) – 2008. Premiered at Assab-One, Milan in conjunction with Gea Politi and the Conduits Gallery on
Black and Pink Issue 3: Coming Out as Trans
Our Third Installation from the queer prison abolition network Black and Pink Artwork by David R. Flint Jr #267953 Avon Park Correctional Institution A-1106-U PO Box 1100 Avon Park, FL 33826-1100 Hello Family of Black & Pink, My name is Charles,
Black and Pink Issue 3: Coming Out as Trans
Our Third Installation from the queer prison abolition network Black and Pink Artwork by David R. Flint Jr #267953 Avon Park Correctional Institution A-1106-U PO Box 1100 Avon Park, FL 33826-1100 Hello Family of Black & Pink, My name is Charles,
Poster by Damon Krukowski
krukowski download Text excerpted from Afterimage by Damon Krukowski http://www.uglyducklingpresse.org/catalog/browse/item/?pubID=198 http://www.DamonandNaomi.com
Poster by Damon Krukowski
krukowski download Text excerpted from Afterimage by Damon Krukowski http://www.uglyducklingpresse.org/catalog/browse/item/?pubID=198 http://www.DamonandNaomi.com
Undocuqueer Posters by Julio Salgado
Seleny.jpeg Felipe.jpeg Jesus.jpeg Jonathan.jpeg Mario.jpeg Prerna.jpeg Julio Salgado ‘s work can be followed here
Undocuqueer Posters by Julio Salgado
Seleny.jpeg Felipe.jpeg Jesus.jpeg Jonathan.jpeg Mario.jpeg Prerna.jpeg Julio Salgado ‘s work can be followed here
Coming Soon Poster by Elan Greenwald
Coming Soon 2012 (1)
Coming Soon Poster by Elan Greenwald
Coming Soon 2012 (1)
Why are Bicycle Frames Still Gendered Objects? By Hanna Negami
To mount the first bicycle, invented in 1817 by Karl von Drais, one needed to swing a leg over the top beam, a practice considered too un-ladylike for women; the seated position was also difficult to maintain while wearing a
Why are Bicycle Frames Still Gendered Objects? By Hanna Negami
To mount the first bicycle, invented in 1817 by Karl von Drais, one needed to swing a leg over the top beam, a practice considered too un-ladylike for women; the seated position was also difficult to maintain while wearing a
Posters by Isabel Theselius
isa.poster1download.jpg isa.poster2download.jpg
Posters by Isabel Theselius
isa.poster1download.jpg isa.poster2download.jpg
On Wearing Masks: Jon Leon and Bdydbl in Conversation
BDYDBL: This is a spread I put together for an issue of Daddy Magazine in 2007 this issue was called “black daddy”, when reading your essay on Lindsay I thought of this image. In your essay, you write that the
On Wearing Masks: Jon Leon and Bdydbl in Conversation
BDYDBL: This is a spread I put together for an issue of Daddy Magazine in 2007 this issue was called “black daddy”, when reading your essay on Lindsay I thought of this image. In your essay, you write that the
First Kiss / Last Dance by Legacy Russell
Here’s how the dream ends: It is Summer. Moisture is crucified in the air with two wooden clothespins and a wire hanger. You are told there are trees in the city but everywhere you look you cannot see them and so you will all get into your little cars and drive up to the woods. In the woods there is a box. The box is a present already
First Kiss / Last Dance by Legacy Russell
Here’s how the dream ends: It is Summer. Moisture is crucified in the air with two wooden clothespins and a wire hanger. You are told there are trees in the city but everywhere you look you cannot see them and so you will all get into your little cars and drive up to the woods. In the woods there is a box. The box is a present already
Posters by Daniel Joseph Martinez
Martinez1.jpg martinezdownload2.jpg martinezdownload3.jpg installation shots from San Juan Triennial, San Juan, Puerto Rico (2005)
Posters by Daniel Joseph Martinez
Martinez1.jpg martinezdownload2.jpg martinezdownload3.jpg installation shots from San Juan Triennial, San Juan, Puerto Rico (2005)
Cyclona, Manon, and Lucas Samaras: Images Curated by Sarvia Jasso
“Cyclona” is a drag character played by Robert Legorreta, a Chicano artist and member of the Southern California Gay Liberation Front. Cyclona (which is feminine for cyclone) made her debut in Caca-Roaches Have No Friends (1969), a play that was written
Cyclona, Manon, and Lucas Samaras: Images Curated by Sarvia Jasso
“Cyclona” is a drag character played by Robert Legorreta, a Chicano artist and member of the Southern California Gay Liberation Front. Cyclona (which is feminine for cyclone) made her debut in Caca-Roaches Have No Friends (1969), a play that was written
Reversible by Marcus Civin
Free Download Reversible Poster.jpg
Reversible by Marcus Civin
Free Download Reversible Poster.jpg
Cadaver poems by Nadia Gaber
untitled But for you. three pale strips of flesh trimmed, square draped delicately across the bridge of your nose like dough set aside as lattice or clay, for teacup handles each kept from crawling back to offer shade by one pearl-ended hat pin
Cadaver poems by Nadia Gaber
untitled But for you. three pale strips of flesh trimmed, square draped delicately across the bridge of your nose like dough set aside as lattice or clay, for teacup handles each kept from crawling back to offer shade by one pearl-ended hat pin
ANTARCTICA FOR 2 (OR MORE, UNTIL IT’S 1 TOO MANY…) by Vito Acconci/Acconci Studio
Vito Acconci/Acconci Studio ANTARCTICA FOR 2 (OR MORE, UNTIL IT’S 1 TOO MANY…) Theater-Piece In Words Only, For 2 Actors At A Podium + Lights Whitechapel Gallery, London, Feb 2011 (House lights go off, podium lights out) (W:) Come
ANTARCTICA FOR 2 (OR MORE, UNTIL IT’S 1 TOO MANY…) by Vito Acconci/Acconci Studio
Vito Acconci/Acconci Studio ANTARCTICA FOR 2 (OR MORE, UNTIL IT’S 1 TOO MANY…) Theater-Piece In Words Only, For 2 Actors At A Podium + Lights Whitechapel Gallery, London, Feb 2011 (House lights go off, podium lights out) (W:) Come
Tripping On Cyber Roads photographs by Martabel Wasserman
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Tripping On Cyber Roads photographs by Martabel Wasserman
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From Shaylanna’s Sketchbook, courtesy of Black & Pink
A little bit about me. I’m 27 years old and I’m from the Upper Westside (Grand and Garden) in Buffalo, New York. I was born in Savannah, GA (directly South). When I was forced into smuggling drugs, I lived all over
From Shaylanna’s Sketchbook, courtesy of Black & Pink
A little bit about me. I’m 27 years old and I’m from the Upper Westside (Grand and Garden) in Buffalo, New York. I was born in Savannah, GA (directly South). When I was forced into smuggling drugs, I lived all over
docutroop by an anonymous 99%er
Untitled I, Untitled II by Andy J. Brown
These two studies (Untitled Study I and II) create analogies between architectural sites in different states of finish. I have been photographing different locations throughout California for the last year, documenting the new ruins that dot the landscape. These photographs
Untitled I, Untitled II by Andy J. Brown
These two studies (Untitled Study I and II) create analogies between architectural sites in different states of finish. I have been photographing different locations throughout California for the last year, documenting the new ruins that dot the landscape. These photographs
Videos by Alexandra Pacheco Garcia
untitled Phenom 3 Phenom 4
Videos by Alexandra Pacheco Garcia
untitled Phenom 3 Phenom 4
Photos by Alexandra Pacheco Garcia
As a medium that allows for the obsessive collection of visual evidence, I am using photography to locate the body (my body and the bodies of those I love.). This series of three photographs and related
Photos by Alexandra Pacheco Garcia
As a medium that allows for the obsessive collection of visual evidence, I am using photography to locate the body (my body and the bodies of those I love.). This series of three photographs and related
Posters by WAGE
Working Artists and the Greater Economy (W.A.G.E.) is an activist, advocacy and consciousness-raising group formed in 2008. W.A.G.E. advocates that fair payment practices be established for the visual artists, performers, writers and independent curators with whom U.S. art institutions &
Posters by WAGE
Working Artists and the Greater Economy (W.A.G.E.) is an activist, advocacy and consciousness-raising group formed in 2008. W.A.G.E. advocates that fair payment practices be established for the visual artists, performers, writers and independent curators with whom U.S. art institutions &
Sarina (in three parts) by Iman James
Sarina, download I. Mia was running late; she was supposed to be at the park to meet some friends for a Sunday picnic ten minutes ago. Surely, all would be fine on this lazy Sunday afternoon, as time
Sarina (in three parts) by Iman James
Sarina, download I. Mia was running late; she was supposed to be at the park to meet some friends for a Sunday picnic ten minutes ago. Surely, all would be fine on this lazy Sunday afternoon, as time
An Exercise in the Impossible (After Manuel Arechiga) by Artemisa Clark
On May 16, 1959, Manuel Arechiga was photographed sweeping the “porch” of the tent he shared with his wife, Abrana, for a total of 10 days, or 14,400 minutes. This tent was built over the ruins of their family’s
An Exercise in the Impossible (After Manuel Arechiga) by Artemisa Clark
On May 16, 1959, Manuel Arechiga was photographed sweeping the “porch” of the tent he shared with his wife, Abrana, for a total of 10 days, or 14,400 minutes. This tent was built over the ruins of their family’s
NO HOMO by Alessandro Bava
NO HOMO YES HOMO MAYBZ HOMO NOW HOME: no homo does not infer from the way we are what we can not do or know, but will release from the contingency that has made us be what we are, the possibility
NO HOMO by Alessandro Bava
NO HOMO YES HOMO MAYBZ HOMO NOW HOME: no homo does not infer from the way we are what we can not do or know, but will release from the contingency that has made us be what we are, the possibility
CICELY BETWEEN MY KNEES by RL Goldberg
CICELY BETWEEN MY KNEES Cicely and I have been best friends since college. We were pretty much inseparable when we met at the campus dining hall. We were both waiting in line at the vegetable bar. When we graduated
CICELY BETWEEN MY KNEES by RL Goldberg
CICELY BETWEEN MY KNEES Cicely and I have been best friends since college. We were pretty much inseparable when we met at the campus dining hall. We were both waiting in line at the vegetable bar. When we graduated
Images by RamRam Abdellah
Abdellah RamRam (born 1966) A native of Morocco, Abdellah RamRam has been drawing his entire life and moved to the United States in 2000. RamRam uses a ballpoint pen, colored markers, and pencil to create his art. Using these simple
Images by RamRam Abdellah
Abdellah RamRam (born 1966) A native of Morocco, Abdellah RamRam has been drawing his entire life and moved to the United States in 2000. RamRam uses a ballpoint pen, colored markers, and pencil to create his art. Using these simple
Featured Players by Michael Dahan
Images of celebrities reflect our desires back at us; we define ourselves though and against the qualities in which we imbue them. I am interested in the psychological construction and mediation of identity through mass media images. The problem is,
Featured Players by Michael Dahan
Images of celebrities reflect our desires back at us; we define ourselves though and against the qualities in which we imbue them. I am interested in the psychological construction and mediation of identity through mass media images. The problem is,
Swatch: The De-Materialization of a Wardrobe (excerpt) by Aaron Valenzuela
From a young age, magazines such as W, Rolling Stone, and Vogue were sought after literature. The first magazine I ever subscribed to was Rolling Stone, lured by the cover of a golden Amazon warrior, made real
Swatch: The De-Materialization of a Wardrobe (excerpt) by Aaron Valenzuela
From a young age, magazines such as W, Rolling Stone, and Vogue were sought after literature. The first magazine I ever subscribed to was Rolling Stone, lured by the cover of a golden Amazon warrior, made real
Go Home, a mix by Dave Dwares
http://www.youtube.com/watch?v=7YKx6d2BmZo&feature=fvwrel http://www.youtube.com/watch?v=Pnpbxw43Nq0 http://www.youtube.com/watch?v=3QCG-19YPsk http://www.youtube.com/watch?v=0cL2opRFBow
Go Home, a mix by Dave Dwares
http://www.youtube.com/watch?v=7YKx6d2BmZo&feature=fvwrel http://www.youtube.com/watch?v=Pnpbxw43Nq0 http://www.youtube.com/watch?v=3QCG-19YPsk http://www.youtube.com/watch?v=0cL2opRFBow
Paintings by Louise Erhard
#http://louiseerhard.carbonmade.com/
Paintings by Louise Erhard
#http://louiseerhard.carbonmade.com/
Ecocore Poster
#http://issuu.com/ecocore Ecocore download #1.pdf
CUT, PASTE, DRAG, DREAM: an Editor’s Letter by Martabel Wasserman
I am in the habit of dragging jpegs from my daily Internet wanderings onto my desktop into increasingly chaotic classification systems: Friends in drag, Parties/Performative Resistance?, Police Brutality, Gay Police,Dykes Protesting Interconnected Forms of Oppression, Ernest Flower Power, Psychedelic/Political Buses, Facebook I, Facebook II, Etc. etc. etc.
CUT, PASTE, DRAG, DREAM: an Editor’s Letter by Martabel Wasserman
I am in the habit of dragging jpegs from my daily Internet wanderings onto my desktop into increasingly chaotic classification systems: Friends in drag, Parties/Performative Resistance?, Police Brutality, Gay Police,Dykes Protesting Interconnected Forms of Oppression, Ernest Flower Power, Psychedelic/Political Buses, Facebook I, Facebook II, Etc. etc. etc.