Re-map
Ode to Nancy Holt and a Powerful Earth by Kelly Johnson
I recently moved to Baltimore from Texas, anxious that the cold and concrete would eliminate my connection with nature. But everyday I notice an unexpected trace of the natural earth in the city: the shocking pink of the roses in
Ode to Nancy Holt and a Powerful Earth by Kelly Johnson
I recently moved to Baltimore from Texas, anxious that the cold and concrete would eliminate my connection with nature. But everyday I notice an unexpected trace of the natural earth in the city: the shocking pink of the roses in
A Map to the Next World by Adrienne Rosenberg
1 There they were, pouring out of the earth like fire ants, ready to settle and organize and multiply and eventually ready to consume. The emergence, as the Pueblo people call it, was difficult. The hole into the world was
A Map to the Next World by Adrienne Rosenberg
1 There they were, pouring out of the earth like fire ants, ready to settle and organize and multiply and eventually ready to consume. The emergence, as the Pueblo people call it, was difficult. The hole into the world was
Radio, Paradise, and Nuclear Power: Kaucyila Brooke interviewed by Christina Linorter
Politics and Narratives in Landscape and Gardens[1] CL: In the Eden’s Edge project we are specifically interested in the relationship of narrative and landscape. In your work you combine exactly these two themes. How did you become interested in
Radio, Paradise, and Nuclear Power: Kaucyila Brooke interviewed by Christina Linorter
Politics and Narratives in Landscape and Gardens[1] CL: In the Eden’s Edge project we are specifically interested in the relationship of narrative and landscape. In your work you combine exactly these two themes. How did you become interested in
Fare Buoyantly II by Joey Lehman Morris
This is a photograph of a portion of Owens Lake, looking northwest, during a dust storm. In 1913, Los Angeles Department of Water and Power began the diversion of Owens’ arteries to feed its own aqueduct. Owens lowered for over
Fare Buoyantly II by Joey Lehman Morris
This is a photograph of a portion of Owens Lake, looking northwest, during a dust storm. In 1913, Los Angeles Department of Water and Power began the diversion of Owens’ arteries to feed its own aqueduct. Owens lowered for over
On Maps by Flora Kao
Recently, I purchased an Army Air Forces cloth chart. The envelope arrived as I was on my way out. Tearing it open, I glimpsed the frayed edges of a folded silk map. I set the envelope aside, deciding to open
On Maps by Flora Kao
Recently, I purchased an Army Air Forces cloth chart. The envelope arrived as I was on my way out. Tearing it open, I glimpsed the frayed edges of a folded silk map. I set the envelope aside, deciding to open
Knowing is Not Naming by Xiaowei Wang
We never spoke about the end of empires, but when it happened, we had not seen each other for years. Somehow it escaped our taxonomy of the world, in between the causally symmetric balances and the notes you kept in
Knowing is Not Naming by Xiaowei Wang
We never spoke about the end of empires, but when it happened, we had not seen each other for years. Somehow it escaped our taxonomy of the world, in between the causally symmetric balances and the notes you kept in
Incendiary Traces by Hillary Mushkin
Contemporary war seems remote and immaterial to most Americans; the public’s images of conflict zones are largely formed through media. However, national leaders and the military have many other tools to visualize conflicts. For example, drawing, cartography and satellite imagery
Incendiary Traces by Hillary Mushkin
Contemporary war seems remote and immaterial to most Americans; the public’s images of conflict zones are largely formed through media. However, national leaders and the military have many other tools to visualize conflicts. For example, drawing, cartography and satellite imagery
Travel Zine Posters by Miyuki Baker
THE NETHERLANDS: homonormative poster download.jpg queerparties poster download.jpg INDIA: bangalore poster download.jpg India Download.jpg KOREA: Korea 1 poster download.jpg Korea LBGT orgs poster download.jpg ZINE PAGES and POSTER DOWNLOADS for MORE: queerscribe poster download.jpeg
Travel Zine Posters by Miyuki Baker
THE NETHERLANDS: homonormative poster download.jpg queerparties poster download.jpg INDIA: bangalore poster download.jpg India Download.jpg KOREA: Korea 1 poster download.jpg Korea LBGT orgs poster download.jpg ZINE PAGES and POSTER DOWNLOADS for MORE: queerscribe poster download.jpeg
G-chatting with John Greyson
G-chatting with John Greyson “John [Greyson] belongs to a category of gay and lesbian artist that I call “credible.” By this I mean that they have consistently produced artistically engaged work with authentic queer content and that they treat other
G-chatting with John Greyson
G-chatting with John Greyson “John [Greyson] belongs to a category of gay and lesbian artist that I call “credible.” By this I mean that they have consistently produced artistically engaged work with authentic queer content and that they treat other
Sarah Schulman on “Israel/Palestine and the Queer International” Interview by Nadia Gaber
On May Day 2011, the first Palestinian trade union conference for boycotts, divestment, and sanctions (BDS) against the Israeli occupation was held in Ramallah, aligning labor organizers with the largest Palestinian civic movement, a non-violent resistance strategy that has solidarity
Sarah Schulman on “Israel/Palestine and the Queer International” Interview by Nadia Gaber
On May Day 2011, the first Palestinian trade union conference for boycotts, divestment, and sanctions (BDS) against the Israeli occupation was held in Ramallah, aligning labor organizers with the largest Palestinian civic movement, a non-violent resistance strategy that has solidarity
Remapping the Second Wave: Los Angeles, c. 1975
I’ve always wanted to visit the second wave -and the black holes in the desert were not getting me there fast enough- so I went to the ONE Archive instead. Perusing the collection of Sister Newspaper: Los Angeles Feminist News, I was
Remapping the Second Wave: Los Angeles, c. 1975
I’ve always wanted to visit the second wave -and the black holes in the desert were not getting me there fast enough- so I went to the ONE Archive instead. Perusing the collection of Sister Newspaper: Los Angeles Feminist News, I was
Coming to America by Martin Eiermann
“It’s not just us keeping them apart. It’s everyone in Beszel and everyone in Ul Qoma. Every minute, every day. We’re only the last ditch: it’s everyone in the cities who does most of the work. It works because you
Coming to America by Martin Eiermann
“It’s not just us keeping them apart. It’s everyone in Beszel and everyone in Ul Qoma. Every minute, every day. We’re only the last ditch: it’s everyone in the cities who does most of the work. It works because you
On Roads and On Roadmaps by Flora Kao
Flora Kao, Lines of Desire, 2008 Acrylic on vellum 7.5 x 10.5 feet [Detail] Referencing the blueprint as a locus of dreams, Lines of Desire is made of hundreds of overlays of the LA street-grid on vellum. Upon approach, its delicate atmospherics
On Roads and On Roadmaps by Flora Kao
Flora Kao, Lines of Desire, 2008 Acrylic on vellum 7.5 x 10.5 feet [Detail] Referencing the blueprint as a locus of dreams, Lines of Desire is made of hundreds of overlays of the LA street-grid on vellum. Upon approach, its delicate atmospherics
Undocubus Riders Confront Democrats and the Poli-Migra by Gabriela Alcazar
On July 29th, 2012, the Undocubus took off from Phoenix, Arizona with a brave group of undocumented immigrants and allies of all ages. The No Papers, No Fear: Ride For Justice is headed east to the Democratic National Convention taking
Undocubus Riders Confront Democrats and the Poli-Migra by Gabriela Alcazar
On July 29th, 2012, the Undocubus took off from Phoenix, Arizona with a brave group of undocumented immigrants and allies of all ages. The No Papers, No Fear: Ride For Justice is headed east to the Democratic National Convention taking
Two Billboards by Nadia Gaber
This is a simple reflection on two billboards: one, the last I saw upon leaving the cacophonous streets of Cairo; the other, the first I saw upon arriving back in placid, progressive San Francisco. In an early-morning taxi to
Two Billboards by Nadia Gaber
This is a simple reflection on two billboards: one, the last I saw upon leaving the cacophonous streets of Cairo; the other, the first I saw upon arriving back in placid, progressive San Francisco. In an early-morning taxi to
Undocuqueer Posters by Julio Salgado
Seleny.jpeg Felipe.jpeg Jesus.jpeg Jonathan.jpeg Mario.jpeg Prerna.jpeg Julio Salgado ‘s work can be followed here
Undocuqueer Posters by Julio Salgado
Seleny.jpeg Felipe.jpeg Jesus.jpeg Jonathan.jpeg Mario.jpeg Prerna.jpeg Julio Salgado ‘s work can be followed here
Pink Washing: A Documentary Guide by Sarah Schulman
“Not only do Palestinian queers face these injustices on a daily basis and undergo Israeli oppression like any other Palestinian, but also our name and struggle is often wrongly used and abused to “Pinkwash” Israel’s continuous crimes against the whole
Pink Washing: A Documentary Guide by Sarah Schulman
“Not only do Palestinian queers face these injustices on a daily basis and undergo Israeli oppression like any other Palestinian, but also our name and struggle is often wrongly used and abused to “Pinkwash” Israel’s continuous crimes against the whole
Indocumentalismo Manifesto—an Emerging Socio-Political Ideological Identity
Indocumentalismo Manifesto—an Emerging Socio-Political Ideological Identity 31 March 2010 By Raúl Alcaraz/Daniel Carrillo www.antifronteras.com (versión en español será agregada a la página próximamente) Note: The following article tries to put together ideas that already exist. None of this is new
Indocumentalismo Manifesto—an Emerging Socio-Political Ideological Identity
Indocumentalismo Manifesto—an Emerging Socio-Political Ideological Identity 31 March 2010 By Raúl Alcaraz/Daniel Carrillo www.antifronteras.com (versión en español será agregada a la página próximamente) Note: The following article tries to put together ideas that already exist. None of this is new