Reclaim: editor’s letters
Daisy Chain Theory: a long leditor/manifesto for May Day by Martabel Wasserman
posterdownload Do you remember what revolution tastes like? that honeyed syrup of possibility that pours through the body, loosening its tight grip on reality-as-is, clearing the way for new sensations and sites for connection, the sweet escape from ego
Daisy Chain Theory: a long leditor/manifesto for May Day by Martabel Wasserman
posterdownload Do you remember what revolution tastes like? that honeyed syrup of possibility that pours through the body, loosening its tight grip on reality-as-is, clearing the way for new sensations and sites for connection, the sweet escape from ego
Leditor Six by Martabel Wasserman
“If love does not know how to give and take without restrictions, it is not love, but a transaction that never fails to lay stress on a plus and a minus.” –Emma Goldman Writing about reclaiming love is like writing about
Leditor Six by Martabel Wasserman
“If love does not know how to give and take without restrictions, it is not love, but a transaction that never fails to lay stress on a plus and a minus.” –Emma Goldman Writing about reclaiming love is like writing about
From Butler to Baptism: A Few Thoughts on Rebirth by Martabel Wasserman
DIY Pantone Easter Eggs by Jessica Jones Rebirth is a performative utterance ripe with secular and queer possibilities. In her groundbreaking 1990 book Gender Trouble, Judith Butler deftly picked up linguist J.L Austin’s notion of the performative utterance
From Butler to Baptism: A Few Thoughts on Rebirth by Martabel Wasserman
DIY Pantone Easter Eggs by Jessica Jones Rebirth is a performative utterance ripe with secular and queer possibilities. In her groundbreaking 1990 book Gender Trouble, Judith Butler deftly picked up linguist J.L Austin’s notion of the performative utterance
Between Two Leditors by Martabel (2008 and 2012)
“In this chaotic moment of flux and change, we have the opportunity to dream bigger than ever. Now is the time for us to state
Between Two Leditors by Martabel (2008 and 2012)
“In this chaotic moment of flux and change, we have the opportunity to dream bigger than ever. Now is the time for us to state
(Re)writing the Road, a leditor by Martabel Wasserman
I’m the robotic kid lost from the blind eye of the government and wandering the edges of a computerized landscape, all civilization is turning like one huge gear in my head. -David Wonjarowicz, In the Shadow of the American Dream/
(Re)writing the Road, a leditor by Martabel Wasserman
I’m the robotic kid lost from the blind eye of the government and wandering the edges of a computerized landscape, all civilization is turning like one huge gear in my head. -David Wonjarowicz, In the Shadow of the American Dream/
Recapping Time by Martabel Wasserman
“Feeling the press of the complexity upon the emptiness of life, people are fearful at the thought that at any moment things might thrust out of control.”- The Port Huron Statement, 1962 This lens is ready-made nostalgia; it was as
Recapping Time by Martabel Wasserman
“Feeling the press of the complexity upon the emptiness of life, people are fearful at the thought that at any moment things might thrust out of control.”- The Port Huron Statement, 1962 This lens is ready-made nostalgia; it was as
COMMUNITY PLAY: an Editor’s Letter by Colette S
11pm, 60 hours before the website goes live. I am staring at the grey slit that separates the pages on Microsoft Word 14.1.4 documents. I have oriented the slit toward the top of the window. I am acutely incapable of
COMMUNITY PLAY: an Editor’s Letter by Colette S
11pm, 60 hours before the website goes live. I am staring at the grey slit that separates the pages on Microsoft Word 14.1.4 documents. I have oriented the slit toward the top of the window. I am acutely incapable of
ON COMMUNITY: an Editor’s Letter by Christopher J. Lee
My work with RECAPS is premised on a critical engagement of ’community’— an operation that, staged directly, resembles the most basic unit of definitional inquiry (i.e. ‘what is community?), and staged incessantly, resembles a rhizomic network of interrogative energy, concretized in
ON COMMUNITY: an Editor’s Letter by Christopher J. Lee
My work with RECAPS is premised on a critical engagement of ’community’— an operation that, staged directly, resembles the most basic unit of definitional inquiry (i.e. ‘what is community?), and staged incessantly, resembles a rhizomic network of interrogative energy, concretized in
CUT, PASTE, DRAG, DREAM: an Editor’s Letter by Martabel Wasserman
I am in the habit of dragging jpegs from my daily Internet wanderings onto my desktop into increasingly chaotic classification systems: Friends in drag, Parties/Performative Resistance?, Police Brutality, Gay Police,Dykes Protesting Interconnected Forms of Oppression, Ernest Flower Power, Psychedelic/Political Buses, Facebook I, Facebook II, Etc. etc. etc.
CUT, PASTE, DRAG, DREAM: an Editor’s Letter by Martabel Wasserman
I am in the habit of dragging jpegs from my daily Internet wanderings onto my desktop into increasingly chaotic classification systems: Friends in drag, Parties/Performative Resistance?, Police Brutality, Gay Police,Dykes Protesting Interconnected Forms of Oppression, Ernest Flower Power, Psychedelic/Political Buses, Facebook I, Facebook II, Etc. etc. etc.